A journal of critical and political poetry.

Julius Eastman's Four Pianos (1979-80), performed by Melaine Dalibert, Stephane Ginsburgh, Nicols Horvath and Wilhem Latchoumia.

First vinyl edition of the 3rd album by Norscq (The Grief / The Atlas Project) that combines ancient texts, oriental singing, post-industrial electronica and dark ambient.

An industrial and psychedelic sound piece recorded at the opening of CM von Hausswolff’s solo exhibition “INSNITT” at 3:e Våningen, Gothenburg, in 2018, with John Duncan, Leif Elggren, Jean Louis-Huhta, Joachim Nordwall, and Henrik Rylander.

A collection of works, documents, testimonies, recollections and analyses that offers an exceptional overview of the history and life of the New Realist group.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

An artistic and scholarly inquiry into the  work of Anton Wilhelm Amo (c. 1700–after 1753), an outstanding philosopher of the early eighteenth-century Enlightenment, the first African to earn a doctorate in a European university.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

The first official monograph project around Ramsès Younan, a major figure and member of the Egyptian surrealists group, this volume gathers an exhaustive catalogue of Younan's paintings, drawings and visual experimentations with an anthology of critical essays about and by the artist.

The catalogue raisonné of the Frac Île-de-France Collection.

A fascinating journey into the experimental filmmaker's universe.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

Seven American artists share their invaluable perspectives on the decisive work of Simon Hantaï.

An inventory of the research of the designer Samy Rio, which attempts to account for the rich and open process of his work towards a more sustainable design practice.

A project by Paul-Armand Gette around the censorship of the Diane Chasseresse by the artist Jean-Antoine Houdon (1741-1828), whose sex considered too naturalistic was plugged up and filled with bronze rods and then hammered in 1829 when it entered the national collections.

Limited edition with an original artwork signed by the artist.

A polyphonic genealogy of the concept of contemporary African art.

An analysis of the exhibition pavilions (universal exhibitions and bienniales) from the point of view of their architecture, crossing the contributions of designers and architects, historians, philosophers and aestheticians.

Two short stories by Lucien Jean (1870-1908), accompanied by a mini CD slipped into the book: an unpublished atmospheric piece, recorded for the occasion, by Lee Ranaldo.

19 poems and 23 chronicles of improvised music concerts (Albert Ayler, Sophie Agnel, Raymond Boni, Hélène Breschand, Steve Dalechinsky, Joëlle Léandre, Seijiro Murayama, Jean-François Pauvros, Barre Phillips, and many others).

Published on the occasion of the forty-year anniversary of Chantal Crousel Gallery, this extensive publication (more than 700 pages) traces the history of the gallery, a major actor on the contemporary art scene, in France and abroad.

A collection of essays, librettos, lyrics, memories, photos, personal anecdotes by musicians, visual artists, researchers and archivers that pays homage to the work and life of African-American composer, musician, performer, activist Julius Eastman.

A number of more or less benevolent considerations on the work of Jacques Halbert.

Four decades of incisive writing about contemporary art, fired by enthusiasm and scepticism alike, by the eminent German cultural critic and commentator Walter Grasskamp (essays on Joseph Beuys, Hans Haacke, Duane Hanson, Jörg Immendorff, Axel Kasseböhmer, Alex Katz, Anselm Kiefer, Per Kirkeby, Karin Kneffel, Eduardo Paolozzi, Sigmar Polke, Markus Raetz, Gerhard Richter, Sarkis, Aldo Walker, Ben Willikens).

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

A study that explores the complex relationship between nationalism, traditionalism and the critique of modern culture in France in the decades preceding the First World War.

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

A new essay by curator and publisher Mathieu Copeland about Arnaud Labelle-Rojoux's reinvention of Allan Kaprow's environment The Apple Shrine and considering, more generally, the themes of reinvention in art and the exhibition form.

Valentin Husson overturns the traditional hierarchy between being and having, rehabilitating the latter as an ecological imperative, in order to rethink our relationship to the environment, in an innovative re-reading of the history of philosophy.

An unpublished tale by Raoul Ruiz.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

This book examines the modes of execution in contemporary art from the viewpoint of production, by means of a series of eighteen interviews. It presents a plural and polyphonic thinking, bringing together the words of different participants concerned with the realisation of artworks and several generations of artists.

Compositions and epistolary improvisations, in tribute to the writer François Augiéras.

A deconstruction of Dennis Johnson's November by legendary artist Lustmord and renowned classical pianist Nicolas Horvath.

A deconstruction of Dennis Johnson's November by legendary artist Lustmord and renowned classical pianist Nicolas Horvath.

The soundtrack of Lili Reynaud-Dewar's film shot in Marfa (a horror movie about gentrification, the privatization and commodification of art, land, ideas, freedom, and depicting a group of 8 young artists struggling to find meaning in their engagement in the field of visual arts), composed and performed by Nicolas Murer.

Stereophonic versions based on the recordings and mixes used for the 4 sound installations, made in-situ between 2005 and 2016 (with Jean-Luc Guionnet, Arnau Horta, Seijiro Murayama and Michaële-Andréa Schatt).

How the question of legitimacy and authenticity has influenced the practices and receptions of hip-hop music.

A tribute.

Seventeen interviews conducted with Med Hondo over a period of almost half a century, most of the interviews originally published in French were translated into English.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).

Book / sonic sculpture.

Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

The unpublished story, reproduced in facsimile, of the journey to Paris of Frédéric Bruly Bouabré (1923-2014), Ivorian poet and artist, "prophet", creator and inventor of the Bété alphabet, who writes a "report" of his encounter with the Western world on his return from the opening of the mythical exhibition "Magiciens de la Terre".

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

Stéphane Vigny's first monograph, conceived as an object with several levels of reading, as well as the sculptures of the artist.